Gustav Klimt's Three Ages of Woman
- By Donald Flemming
- Published 02/14/2010
- Arts and Crafts
- Unrated
Gustav Klimt’s the ‘Three Ages of Woman’, was his initial effort into abandoning the use of historical or mythological symbolism in his artwork. Before this, Klimt usually painted smaller, less complex allegory, such as the very popular ‘Judih I’ and other works of art. It is important to realize the difference between public and private offerings as both have a different form and content especially for a great artist like Klimt. The artists saw the public offerings, that he created, which included larger multi-figured panels, as for public use only. The private works were for a select few to view and to be moved by. The two worlds seldom met and it is in this non-confliction that Gustav Klimt demonstrated his mastery.
Female Form and the Influence over Klimt
The ‘Three Ages of Woman’ is a painstakingly-created work of art that is all to do about the female form. Many artists, before and after Klimt, utilized and explored the beauty of the female figure in their artwork. Although this was no voyage into the unknown Klimt’s work was entirely, something different. For the first time in his pictorial career, Gustav Klimt concentrated his attentions ‘exclusively’ on the female figure.
The Women of Three Woman
With three principal female characters, the women are encapsulated in a sea of bubbles and are representative of life itself and the futility of it all. Death is seen as the color blue and is perched upon the horizon in a notable patience. Gustav Klimt attempte
d to show the world, if only through a few sets of private eyes, the beauty of a woman’s life and form, with the addition and devastation of the undying persistence that is death. It is said that Gustav Klimt painted ‘Three Ages of Woman’ when he was fully-entrenched in the grips of love. Whether or not this is true, may never be realized, one thing for certain is that the work is ‘lovely’.
One of Last Works of Klimt
Known for his fantastical imagery and the bolder decorative style reminiscent of artists of the late 1800’s ‘Three Ages of Woman’ was one of his most beloved pieces of work. With the allegorical comments that are seen in the paintings of the three female forms, no other work struck such a chord, in both sociological as well as philosophical mindsets. An interesting fact about Gustav Klimt’s ‘Three Ages of Woman’ is that this was one of the last allegorical canvases, of the artist’s life, to be painted. Even the individual characters that are glancing backward as well as forward seem to understand that life predicates, death in that order.
Death of Son Otto
Klimt became so absorbed with the subject of death, after the demise of his baby son Otto in 1902, that the artwork reflected that pain, in every way. It seemed as if Gustav Klimt was searching for answers that cannot be given on this earth. Klimt's ‘Three Ages of Woman’ has been shown throughout the world and is still a major attraction for art lovers everywhere. Klimt first large-scale private allegory was one of his last. The ‘Three Ages of Woman’ tried to show the frailty of life and the permanence of death.
Female Form and the Influence over Klimt
The ‘Three Ages of Woman’ is a painstakingly-created work of art that is all to do about the female form. Many artists, before and after Klimt, utilized and explored the beauty of the female figure in their artwork. Although this was no voyage into the unknown Klimt’s work was entirely, something different. For the first time in his pictorial career, Gustav Klimt concentrated his attentions ‘exclusively’ on the female figure.
The Women of Three Woman
With three principal female characters, the women are encapsulated in a sea of bubbles and are representative of life itself and the futility of it all. Death is seen as the color blue and is perched upon the horizon in a notable patience. Gustav Klimt attempte
One of Last Works of Klimt
Known for his fantastical imagery and the bolder decorative style reminiscent of artists of the late 1800’s ‘Three Ages of Woman’ was one of his most beloved pieces of work. With the allegorical comments that are seen in the paintings of the three female forms, no other work struck such a chord, in both sociological as well as philosophical mindsets. An interesting fact about Gustav Klimt’s ‘Three Ages of Woman’ is that this was one of the last allegorical canvases, of the artist’s life, to be painted. Even the individual characters that are glancing backward as well as forward seem to understand that life predicates, death in that order.
Death of Son Otto
Klimt became so absorbed with the subject of death, after the demise of his baby son Otto in 1902, that the artwork reflected that pain, in every way. It seemed as if Gustav Klimt was searching for answers that cannot be given on this earth. Klimt's ‘Three Ages of Woman’ has been shown throughout the world and is still a major attraction for art lovers everywhere. Klimt first large-scale private allegory was one of his last. The ‘Three Ages of Woman’ tried to show the frailty of life and the permanence of death.
Donald Flemming
Brandon Fuhrmann is an art expert for ownapainting.com. Ownapainting.com offers over 10,000 hand painted reproductions of famous works. For more information on Gustav Klimt Reproductions or paintings such as The Three Ages of Woman, visit ownapainting.com.
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